10 Things with Shawn Shannon II
“10 Things” is a regular feature in which the Sioux Falls Stage staff answers 10 burning questions with a performing artist—this quarter we feature local theatre performer and technician who has most recently worked with the Mighty Corson Art Players and the Premiere Playhouse, Shawn Shannon II.
1. What is the single-most defining moment of your arts career?
The most defining moment was when I won the 50/50 raffle at the last showing of Heathers the Musical put on by the Sioux Empire Community Theatre (SECT). I went to the show with my little brother on a whim. We didn’t have much to do that Sunday. I entered the drawing, went in to see the show and fell in love with how the set looked. After seeing that absolutely phenomenal production and winning the raffle, I knew that I needed to start taking part in this performing arts community.
2. Describe the moment you knew you wanted to be a performer.
When I was in middle school, I got to see the first act of our high school production of Seven Brides for Seven Brothers at an assembly-type event. We would always get to see the first act of the shows for free before the run to give us a taste of what the show would be like. The costumes, the lights and the set reeled me in, and I knew I wanted to be an actor that day.
3. What’s your post-show wrap-party menu?
Nothing beats a good slice of pizza and a tall, cold beer after a job well done. It’s also super easy to grab a few pizzas and drinks and be anywhere for an impromptu cast party.
4. Highlight three of your proudest theatre résumé moments.
My role in Blood Brothers was far and away the highlight of my performing career so far. We had such a tight-knit cast and production crew, and everyone was on the same page when it came to the end product. It was the most challenging show I’ve ever done and the most fulfilling creatively. I played Judas in Godspell when I was a senior in high school and that was a wonderful end to my high school musical career. My first show with SECT, Peter and the Starcatcher, is my last most notable highlight. It was there that I met many great people in the community and cut my teeth in a real community theater environment.
5. Whom do you consider your greatest acting influences?
One of my English teachers in high school, Kim Marcell (Graff). Kim taught not only English, but our drama classes, as well. I loved hearing her teach and held on to every word. Her vibrant energy made every show magic, and she always had great insight when it came to acting, singing and dancing as well. She pushed me and laid the foundation for every performance I do today, and not a day goes by that I’m not thankful for having met her and studied under her.
6. What’s your favorite non-theatre-related pastime?
I enjoy tinkering on my cars and riding motorcycles when I’m not on stage. There’s nothing quite like going for a long ride to clear your head, with no particular destination in mind. I find that fixing things and going on motorcycle rides help relax me and put me at ease.
7. If you were banished to a deserted island and could only bring three play or musical scripts with you, which three would you select?
Almost, Maine is one I would bring along for sure. That show really opened my eyes to how challenging and real theater can be. Godspell is on my list, too. It’s got such potential to be whatever you want it to be but still maintain a good wholesome message. I’ve always been a big Monty Python fan, so Spamalot is my third contender. The quirky humor and the fun songs make for a great time, and I had tons of fun both times I saw it.
8. What’s your theatre warm-up routine?
First and foremost, I check my props and costumes and put them in their correct places. I typically set them the night before, but I love to double-check. I like to chat with my castmates — make sure everyone is in a good mood and a good headspace so we all can have a great show.
9. What’s your hope for the next generation of theatre artists?
I hope that the next generation of artists has the environment and opportunity that I was given to be able to express themselves and do what they love. Community theatre is becoming more and more inclusive every year, so I think that anyone and everyone who doesn’t already will have the opportunity to give it a try.
10. Give advice to fellow theatre artists in just five words.
Always be open to change.